Words From The Girls Behind The Lens: Brandy Eve Allen
Cliché question first - how and when did you
start with photography?
I started seeing things through a lens as early
as a child but didn’t take it up seriously until I was 18 years old. I’d always
been making art, however I gravitated towards the camera because it was the
best tool to communicate what I was feeling inside.
I read that you just picked up and moved to Italy for 3 years in your early twenties. What was the most valuable lesson you learned with that move?
So many valuable lessons, I learned so many
things, how to speak another language, how to cook amazing food, but in terms
of lessons… I learned that there’s a bigger world out there and it didn’t make
me feel small, the curiosity and expansion of learning new things made me feel
whole. I learned about the importance of dedication and process.
How to make mistakes and learn from them, to not be afraid of fucking up.
In what ways do you think it influenced you as an artist?
In what ways do you think it influenced you as an artist?
I think I already had Italy inside me so when I
got to the country, all of the history, culture, decaying architecture and lush
landscapes felt like everything I had been envisioning and wanting to
experience, now having the chance to do that. The accessibility of beauty
and the intimacy created through new forming bonds were a huge part of my
photography at that time. While my friends were in school learning about
art history, I was living in it. So much of my education as an artist is
learned through living rather than studying.
What inspired the series "Sunken Dream" and what why did you find
shooting with multiple exposures a good medium to showcase your vision?
My process is intuitive, most of the ideas
remain within my subconscious and I get sort of possessed and find a way to
bring them into a conscious state. The work always stems from an
emotional experience, those emotions are then explored through imagery. I
like working with the nude figure because there’s a huge sense of
vulnerability, a timelessness, movement is a big influence in my work. I
have all these things that attract me in this world, things I find beautiful,
things that move me, things that I relate to, all of that comes into my
photography. In order to create this alternative universe I wanted to
combine imagery and create these sort of photographic collages, exposing
various subject matters onto one negative. I always aim to make someone
wonder how something was done, to make them question and work through some
curiosity.
And now, drum roll for the hard hitting one: as an artist, what would like people to remember about you and your work, let's say, 50 years from now?
I want the work to be remembered as being
authentic, having feeling, I want to be remembered for bringing something
beautiful into this world.
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